Read online Roots of the Classical : The Popular Origins of Western Music by Peter Van Der Merwe in PDF, DOC
9780198166474 English 0198166478 Roots of the Classical identifies and traces to their sources the patterns that make Western classical music unique, setting out the fundamental laws of melody and harmony, and sketching the development of tonality between the fifteenth and eighteenth centuries. The author then focuses on the years 1770-1910, treating the Western music of this period - folk, popular, and classical - as a single, organically developing, interconnected unit in which the popular idiom was constantly feedinginto 'serious' music, showing how the same patterns underlay music of all kinds., Roots of the Classicalidentifies and traces to their source the patterns that make Western classical music unique, setting out the fundamental laws of melody and harmony, and sketching the development of tonality between the fifteenth and eighteenth centuries. The author then focuses on the years 1770-1910, treating the Western music of this period - folk, popular, and classical - as a single, organically developing, interconnected unit in which the popular idiom was constantly feeding into 'serious' music, showing how the same patterns underlay music of all kinds., This title identifies and traces to their sources the patterns that make Western classical music unique, setting out the fundamental laws of melody and harmony, and sketching the development of tonality between the 15th and 18th centuries. The author then focuses on the years 1770-1910, treating the Western music of this period - folk, popular and classical - as a single, organically developing, interconnected unit in which the popular idiom was constantly feeding into serious music, showing how the same patterns underlay music of all kinds.
9780198166474 English 0198166478 Roots of the Classical identifies and traces to their sources the patterns that make Western classical music unique, setting out the fundamental laws of melody and harmony, and sketching the development of tonality between the fifteenth and eighteenth centuries. The author then focuses on the years 1770-1910, treating the Western music of this period - folk, popular, and classical - as a single, organically developing, interconnected unit in which the popular idiom was constantly feedinginto 'serious' music, showing how the same patterns underlay music of all kinds., Roots of the Classicalidentifies and traces to their source the patterns that make Western classical music unique, setting out the fundamental laws of melody and harmony, and sketching the development of tonality between the fifteenth and eighteenth centuries. The author then focuses on the years 1770-1910, treating the Western music of this period - folk, popular, and classical - as a single, organically developing, interconnected unit in which the popular idiom was constantly feeding into 'serious' music, showing how the same patterns underlay music of all kinds., This title identifies and traces to their sources the patterns that make Western classical music unique, setting out the fundamental laws of melody and harmony, and sketching the development of tonality between the 15th and 18th centuries. The author then focuses on the years 1770-1910, treating the Western music of this period - folk, popular and classical - as a single, organically developing, interconnected unit in which the popular idiom was constantly feeding into serious music, showing how the same patterns underlay music of all kinds.